Some see skulls as morbid and gothic, others can’t seem to get enough of them.
Wherever you look, there’s always going to be skulls, whether that’s within fashion or on someone’s mantlepiece.
Although they’re not to everybody’s taste, they’re most certainly popular amongst fashion designers.
Take Alexander McQueen for example, he famously designed a scarf covered in skulls that was worn by almost every famous face imaginable.
Many famous faces had the Alexander McQueen skull scarf, including singer Ashlee Simpson
Just one glimpse at the scarves section of their website and you’ll find various extravagant skull patterns for a pretty hefty fee.
It’s not just clothing either, accessories brand The Great Frog has a whole section on their website dedicated to skull rings.
From ‘rodent skulls’ to ‘skull and crossbones’ and even ‘catacomb’ rings, the brand is taking a dark approach to fashion and people enjoy it, especially influencers.
Personal shopper and stylist, Gabrielle Teare, said: “Skulls are a timeless trend, the Elizabethans loved skull rings. Vivienne Westwood loved skull and cross bones and they were featured in many punk collections.
“From skull makeup, clothes to jewellery there are loads of inspirational ideas. “
But where did our obsession with skulls come from? Fashion stylist Krishan Parmar said that skulls have been used in clothing for “centuries.”
He continued: “In many cultures, skulls represent good luck and are used to reinforce spirituality.
“The birth of punk culture in the late sixties brought the skull into the mainstream as death became a symbol synonymous with the movement.”
Fast forward to the 21st century and the skull had been revered by Haute Couture and the high-street alike.
“Designers like Ed Hardy emblazoned caps and t-shirts with skulls became a cult favourite amongst noughties fashionistas.
“The popularity comes from fashion’s fascination with anarchy and wanting to always be different.
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“The skull represented this to punk culture, and just like a black leather jacket will never go out of fashion, neither will skulls.”
Alexander McQueen once said: “It is important to look at death because it is a part of life. It is a sad thing, melancholy but romantic at the same time.”
His realistic approach to death could explain his fascination with skulls in his work.
In fact, his 1992 graduate collection focused on Jack the Ripper and his victims, as one of his relatives was said to have owned an inn that housed a victim.
Within the collection hair sewn into clothing, encapsulated in white silk, which was a reference to the Victorian era when prostitutes would sell their hair.
When speaking about McQueen, Lora Nikolaeva Genes said: “If there is one designer that has never given up on his vision, that is Alexander. I miss artists like him.”
Although some may associate skulls with horror movies and Halloween, fashion designers like McQueen put them in a somewhat positive light.
In his words : “Everything has to end. The cycle of life is positive because it gives room for new things.”